8/31/2023 0 Comments Neil young rust bucket review![]() Those who already knew they were in) will find the effort easily made. Requiring that the side be changed so (seemingly) quickly feels awkward, but those listeners who have already been won (a.k.a. …And then the needle lifts – just two songs into the running. That same kind of energy – complete with some sighing vocals – endures through “Surfer Joe” and keeps its great, soothing tone in spite of lyrical anachronisms like “Come on down to the pleasure cruise/Plenty of women, plenty of booze.” Those who choose to overthink the propriety of those moments will certainly find themselves lost in an ethical quandary before long, but those who simply accept the song for the decades-old rock behemoth it is will find themselves well-rewarded by the experience. True, there is some atonality about Young’s guitar tone in performance – but that makes it no less easy to fall into, even as the cut reaches and breaches the eight-minute mark. As an introduction for the set goes, “Country Home” is as smooth as silk and gets listeners eased in for a long ride really well true, they know they’ll be flipping vinyl plates, but this beginning doesn’t leave anyone feeling like they need to rush. In this case, it starts with the mild (but lengthy) accousticism of “Country Home,” which casts a fantastic spell the guitars of Young himself and “Poncho” Sampedro intertwine smoothly into a perfect conglomerate, punctuated tastefully by the rhythm section of bassist Billy Talbot and drummer Ralph Molina. Simply put, Way Down In The Rust Bucket is the kind of set that fans of Neil Young hope to find.įrom the beginning salvo of the A-side in this 4LP set, Way Down In The Rust Bucket illustrates how earnestly it seeks to at least please, if not impress. ![]() That’s the first reason Way Down In The Rust Bucket is interesting captured in a small venue in Santa Cruz, CA in 1990 with (arguably) the best band he’s ever had behind him (Crazy Horse) playing a set that is gloriously flawed and played both hard and excitedly. The singer has been interested in making a difference for the duration of his entire career – and that interest has both shaped and informed the public’s perception of him going as far as to say that Neil Young is a stoic might be a bit far (that title belongs more to Leonard Cohen), but hearing him laugh or crack a joke where a mic was present to pick it up is so rare and novel that the prospect is genuinely exciting. There are no release dates at this point, but he’s plotting a third Archive Series box set, the 2019 Promise of the Real live album Noise and Flowers, the Eighties rarities collection Road of Plenty, and an extensive Bootleg Series that will spotlight fan-favorite shows like Carnegie Hall 1970, the Rainbow Theater 1973, and the Bottom Line 1974.In the fifty-two years which have made up his career to date, Neil Young has been a lot of things – an activist, a fortune teller, an elder statesman, a folkie, a rock star, a filmmaker and other titles too – but he has never seemed to be lighthearted. Way Down in the Rust Bucket is the first in a long list of archival releases that Young is planning for 2021. “More songs will be added here before the official release.” “This show is one of my all-time Crazy Horse favorites,” Young wrote. ![]() You can check out a preview video of “Country Home” on the Neil Young Archives. The show took place November 13th, 1990 in front of 800 lucky fans at the Catalyst in Santa Cruz, California, two months after the release of Ragged Glory and shortly before the start of a long arena tour with Sonic Youth and Social Distortion. Just weeks after the release of the 10-disc set Archives Volume II 1972-1976 and the live album/film Return to Greendale, he has announced that Way Down in the Rust Bucket, a 1990 Crazy Horse club gig, will come out on February 26th as a film and double album. Neil Young was not kidding when he said he was going to start releasing archival material at a much faster rate this year.
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